In
2016 the Berlin composer Klaus
Wüsthoff wrote a short piece for carillon called Klima-Glocken (Climate
Bells). Wüsthoff had taken lessons in counterpoint with
the composer Hans Vogt, studied music with Boris Blacher and
Reinhard Schwarz-Schilling at the Hochschule für Musik in
Berlin, worked as producer and director of dance music at the
RIAS radio station in Berlin and was employed for two years as
composer for the Schiller Theater and Schloßpark Theater.
Following that he has worked as a free-lance composer. He has
written two operas, seven musicals, 35 pieces of orchestral
music and concertos, choral music and chamber music as
well as jazz,
music for brass, and film music for
documentaries. In 1992 he was awarded the Bundesverdienstkreuz
am Bande.
The
widespread concern about global warming and the continually
increasing effects of climate change continues to grow. After
he talked to Hans Joachim Schellnhuber Wüsthoff became worried
whether the changes in the environment would provide
future generations with a suitable habitat and decided
to express his concern by composing the piece Climate
Bells which uses the leitmotif of his orchestral
work Die Regentrude is based on
a fairy tale by
Theodor Storm geht es sinnbildlich um die
Themen industriell verursachter Feuer und deren
zerstörerischer Kraft sowie die Bedeutung eines
ausgeglichenen Klimas für Mensch und Natur.
According
to him the Climate
Bells
for
carillon
are meant to remind the general public about the
their responsibility for the climate and the
necessity of realizing the goal of restricting
global warming to not more than two degrees
centigrade as set out by the various international
political bodies and agreements. It employs the
leitmotif of the symphonic poem after Theodor
Storm's fairy tale. It reminds everyone on their
individual responsibility regarding the climate
change and urges
them
to work towards limiting it. The „Regentrude“ fairy
tale ends happily with the marriage of a young
couple. The leitmotif of the „Regentrude“ embodies
their fertility like the falling rain and symbolizes
the hope that the environmental goals can be
achieved.
Following
these events Bossin programmed a two-octave
version of the Climate Bells on the
automatic of the Carillon in
Berlin-Tiergarten, which was played daily at
12 p.m. and six p.m. until the end of the
United Nations Climate Conference in Bonn on
November 17.
As part of the Climate Strike staged by Fridays
for Future in front of the Reichstag
in Berlin
on September
24, 2021 the Climate Bells
will be played by the automatic of the
Carillon in Berlin-Tiergarten after the hour
strike at 12, 1, 2, 3 and 4 p.m. One can
only hope that humanity manages to stop the
gradually emerging effects of climate
change!
Jeffrey Bossin and Klaus Wüsthoff in the
playing cabin of the Carillon in
Berlin-Tiergarten
Click here to
hear the Climate Bells
played on the automatic of the Carillon in
Berlin-Tiergarten.